Visual device between the kaleidoscope and the mirror palace. Like global warming which encourages the proliferation of jellyfish, the arrangement of mirrors and lights multiplies the images. The spectator can miss the work if he does not position himself correctly, in the same way that he can not see these slight but obvious modifications which take place in the environment and profoundly disrupt it.
The work is not there to answer a question, but to allow people to see, to dream, to think and perhaps to choose. Because if the jellyfish invades our swimming areas, with the inconveniences that accompany its presence, we cannot blame it, it is innocent.

An installation in the form of an image-trap questions our view of the animal world and our relationship with other living beings. Like climate change which favors the proliferation of jellyfish, the arrangement of mirrors and lights multiplies the photographic images.
Jellyfish are proliferating as the oceans warm, and we are questioning ourselves on the notion of invasion: who is invading whom?

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